Bears: Strong, Wise, and Increasingly Among Us

The following is adapted from LIFE’s new special issue on bears, available at newsstands and online:

Globally, bear populations are plummeting, with several species designated as endangered or vulnerable to extinction. But in many parts of North America, people are seeing more bears than ever. Since the 1970s, American bears in the lower 48 states have been expanding their territories, and enthusiasts need not travel into dense forests to spot a black bear or grizzly. Many can just look into their backyards. In the early ’70s, there were fewer than 100 black bears in New Jersey; today there are about 3,000 and they have been found in every county in the Garden State. 

Over the past several decades, Americans have been cutting down more forests and developing commercial properties on lands that have long belonged to bears. With less space to roam, bears are becoming our new next-door neighbors, taking dips in swimming pools, lounging in hammocks, and rifling through garden sheds. Their hijinks, often caught on camera, attract millions of views on social media and portray bears as approachable and playful. But they are still predators, whose tolerance of humans has its limits. “The victim wasn’t off walking in the woods,” Charlie Rose reported in a 2014 CBS News program about a woman in Florida mauled by a bear. “She was attacked in her own suburban yard.” She survived, with 10 stitches and 30 staples to the head.

Since 1960, Florida’s human population has increased from 5 million to more than 22 million. To accommodate this surge, 7 million acres of forest and wetlands have been destroyed for new homes. So it might have been the woman’s backyard, but to the bear, it was also his.

If you find yourself in bear country, which today could be deep in Yosemite or just off New Jersey’s Garden State Parkway, there’s plenty of advice to avoid conflicts. If you encounter a bear, dispensing a canister of bear spray at the animal is more effective than any air horn or sound. While you’re urged to carry it in certain national parks, the product could be dangerous if not used according to its directions. In 2022, the Oklahoma Department of Wildlife Conservation tweeted: “Listen, bear spray DOES NOT work like bug spray. We would like to not have to say that again.”

Most bears will avoid humans if they hear them coming, but if a bear has noticed you, the U.S. National Park Service provides some general tips: Stand still and identify yourself as a human by talking calmly and slowly waving your arms, so the bear doesn’t mistake you for a prey animal. “It may come closer or stand on its hind legs to get a better look or smell,” notes the park service’s website. “A standing bear is usually curious, not threatening.” 

Hike and travel in groups, as a collection of people are usually noisier—and smellier—than a lone person. A bear is more likely to notice your group and stay away. And remember that bears get more confident and linger when human food is involved. Keep your fare away and hidden; otherwise it could encourage a bear. If the bear is stationary, move away slowly and sideways. This movement allows you to keep an eye on the bear while avoiding tripping. Plus, moving sideways is non-threatening to bears.

Ultimately, stay calm and remember that most bears don’t want to attack you—they just want to be left alone. A bear woofing, yawning, growling, or snapping their jaws may just be bluffing their way out of a potential encounter. Continue to talk to the bear in low tones, keeping it calm until it leaves. Wild animals are dangerous and can be enjoyed from a distance, and hopefully that distance will widen after decades of encroachment on each other’s turf. And those who live on the periphery of their habitats know that the beauty of bears is worth protecting.

Here is a selection of images from LIFE’s new special issue on bears.

Alatom/Getty Images

Teddy Roosevelt’s act of kindness toward a bear during a 1902 hunt was the seed what would become known as the “teddy bear.”

Getty Images

Brown bears are the most widely distributed bear species in the world, and are found in northern North America, Europe and Asia.

Mari Perry/500px/Getty Images

Brown bear cubs, after being protected by their mother early in life, often briefly stay with their littermates before going on to lead independent lives.

Getty Images

When salmon migrate upriver, bears gather for a hearty meal.

© Gerald and Buff Corsi / Focus on Nature/Getty Images/iStockphoto

For polar bears, climate change is threatening their way of life.

© PAUL SOUDERS | WORLDFOTO/Getty Images

The koalas of Australia look like bears but are in fact marsupials.

B.S.P.I./Corbis Documentary/Getty Images

Bears’ teeth are similar to humans, with broad, flat molars that can be used to grind food.

Irena Anna Sowinska/Getty Images

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LIFE With Ingrid Bergman

More than most stars of her rare magnitude, Ingrid Bergman was an actress who went her own way. A Hollywood luminary for decades, from the Thirties well into the Seventies, the Swedish-born beauty acted in films that not only entertained millions but that also satisfied her own, personal need to constantly test and broaden the limits of her craft.

In 1943, for example, she told LIFE magazine, “I am an actress and I am interested in acting, not in making money.” Coming from almost anyone else in her position, that might sound like a public relations platitude. But even at that relatively early point in her career, Bergman had already proven herself a singularly versatile artist, with solid and even iconic performances in films ranging from psychological thrillers (Rage in Heaven) to horror (Dr. Jekyll and Mr. Hyde) to romance (Intermezzo) to arguably the very greatest of all American movies, the 1942 Best Picture Oscar winner, Casablanca.

Bergman won three acting Oscars during her long career (two for Best Actress, in Gaslight and Anastasia, and one for Best Supporting Actress for her role in 1974’s star-studded Murder on the Orient Express), and was nominated four more times. She also won Emmys, a Tony, Golden Globe and New York Film Critics Circle awards in other words, she proved again and again that she could act as well as star in almost any role, on film, stage and the small screen.

And for pretty much all of those years that she lit up the screen and the stage with her combustible mix of intellect, emotional honesty and sensuality, LIFE magazine covered Bergman’s life and her career. When she was the “hot new thing” in Hollywood (after making a name for herself in her native Sweden in the 1930s), LIFE raved about the “new brand of charm” she brought to the American screen. When, in 1946, she starred on Broadway in Maxwell Anderson’s Joan of Lorraine (for which she won her only Tony), LIFE referred to her deserved “enormous reputation” as Hollywood’s “undisputed queen.” When her career took a hit in the States after she left her husband and daughter, Pia, to live with and eventually marry the great Italian director Roberto Rossellini shocking and angering her American fans who had, simplistically, come to view her as something like a saint LIFE sympathetically covered her life and her work in Europe.

And when, years later, she was again embraced and beloved by fans who “forgave” her her trespasses, and flocked to see her in films like Orient Express and Autumn Sonata and watched, in the millions, her Emmy and Golden Globe-winning turn in the Golda Meir television biopic, A Woman Called Golda, LIFE celebrated her return to America’s good graces.

Here, on the anniversary of both her birth and her death she was born Aug. 29, 1915, and died Aug. 29, 1982, at a too-young 67 after a long battle with breast cancer LIFE.com presents pictures of the one and only Ingrid Bergman as she appeared in LIFE through the years.

Liz Ronk, who edited this gallery, is the Photo Editor for LIFE.com. Follow her on Twitter @lizabethronk.

Ingrid Bergman in 1941

Peter Stackpole/Life Picture Collection/Shutterstock images

Ingrid Bergman in 1943, around the time she starred in For Whom The Bell Tolls.

Ingrid Bergman in 1943, around the time she starred in For Whom The Bell Tolls.

John Florea/Life Picture Collection/Shutterstock images

Ingrid Bergman in 1943

John Florea/Life Picture Collection/Shutterstock images

Ingrid Bergman with the painter Alexander Brook, 1944.

Ingrid Bergman with the painter Alexander Brook, 1944.

John Florea/Life Picture Collection/Shutterstock images

Ingrid Bergman as Maria in the movie For Whom the Bell Tolls.

Ingrid Bergman as Maria in the movie For Whom the Bell Tolls, 1944.

John Florea/Life Picture Collection/Shutterstock images

Ingrid Bergman in 1945 with her Best Actress Academy Award for Gaslight.

Ingrid Bergman in 1945 with her Best Actress Academy Award for Gaslight.

Walter Sanders/Life Picture Collection/Shutterstock images

Ingrid Bergman in a scene from the 1945 movie, Saratoga Trunk.

Ingrid Bergman in 1945

John Florea/Life Picture Collection/Shutterstock images

Ingrid Bergman in the film Arch of Triumph

Ingrid Bergman in the film Arch of Triumph

George Lacks/Life Picture Collection/Shutterstock images

Ingrid Bergman in the film Arch of Triumph

Ingrid Bergman in the film Arch of Triumph

Peter Stackpole/Life Picture Collection/Shutterstock images

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Ingrid Bergman as Joan of Arc praying for guidance during a scene from the Broadway production of Maxwell Anderson’s 1946 play, Joan of Lorraine, for which Bergman won a Tony.

Gjon Mili /Life Picture Collection/Shutterstock images

Ingrid Bergman dresses as Joan of Arc in the Broadway production of Maxwell Anderson’s 1946 play, Joan of Lorraine, for which Bergman won a Tony.

Allan Grant/Life Pciture Collection/Shutterstock images

Ingrid Bergman as Joan in the 1948 movie, Joan of Arc.

Loomis Dean/Life Pciture Collection/Shutterstock images

Ingrid Bergman stands on a street as village women stare at her during filming of the movie “Stromboli” on the Italian island of Stromboli, 1949.

Gordon Parks/Life Picture Collection/Shutterstock images

Ingrid Bergman during filming of the movie, Stromboli, on the Italian island of Stromboli, 1949.

Ingrid Bergman during filming of the movie “Stromboli” on the Italian island of Stromboli, 1949.

Gordon Parks/Life Picture Collection/Shutterstock images

Ingrid Bergman during filming of the movie, Stromboli, on the Italian island of Stromboli, 1949.

Ingrid Bergman during filming of the movie “Stromboli,” on the Italian island of Stromboli, 1949.

Gordon Parks/Life Picture Collection/Shutterstock images

Ingrid Bergman acting in a scene from the 1956 Jean Renoir film, ‘Elena et les Hommes.”

Thomas McAvoy/Life Picture Collection/Shutterstock images

Ingrid Bergman plays with a child actor between scenes of the taping of John Frankenheimer's 1959 TV movie, The Turn of the Screw, for which she won an Emmy.

Ingrid Bergman plays with a child actor between scenes of the taping of John Frankenheimer’s 1959 TV movie, The Turn of the Screw, for which she won an Emmy.

Gordon Parks/Life Picture Collection/Shutterstock images

Ingrid Bergman in a special 1961 play on CBS, Twenty Four Hours in a Woman's Life.

Ingrid Bergman in a special 1961 play on CBS, Twenty Four Hours in a Woman’s Life.

Leonard McCombe/Life Picture Collection/Shutterstock images

Absorbed in conversation, 52-year-old Ingrid Bergman rides through Los Angeles on her way to the theater where she'll perform in Eugene O'Neill's play, More Stately Mansions, in 1967.

Absorbed in conversation, 52-year-old Ingrid Bergman rides through Los Angeles on her way to the theater where she’ll perform in Eugene O’Neill’s play, More Stately Mansions, in 1967.

Bill Ray/Life Picture Collection/Shutterstock images

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